The ghunghat is a veiling practice of North India. Its peculiarity holds in the fact that it is not linked to a religion. It reveals the social and family organisation in India, is tightly linked with marriage practices and mirrors the representations of the self and of the body. An anthropological analysis of this practice reveals its multiple dimensions, especially a social, aesthetic and sacred dimension. A comparative study between the way the veil is conceived both in India and in France will allow to rethink the veil beyond the religious and political dimensions in which it is crystalized in the French context.