@article{societes-plurielles:11293,
    title      = {Is the Venus of Milo Japanese?},
    author     = {Michael Lucken},
    url        = {https://societes-plurielles.episciences.org/11293},
    doi        = {10.46298/societes-plurielles.2023.11293},
    journal    = {Sociétés plurielles},
    issn       = {2557-9959},
    volume     = {7 | 2023 - Identity versus science? Science at the service of identity?},
    issuetitle = {Articles},
    eid        = 4,
    year       = {2023},
    month      = {mai},
    keywords   = {Venus de Milo, Japan, Greece, The Louvre Sculpture Museum, Morimura Yasumasa, academic drawing, appropriation, art democratization, Vénus de Milo, Japon, Grèce, musée des sculptures du Louvre, Morimura Yasumasa, dessin académique, appropriation, démocratisation de l’art, ミロのヴィーナス, 日本, ギリシャ, ルーブル彫刻美術館, 森村泰昌, デッサン, アプロプリエーション, 美術の民衆化, [SHS.MUSEO]Humanities and Social Sciences/Cultural heritage and museology, [SHS.ART]Humanities and Social Sciences/Art and art history},
    language   = {French},
}